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On sea chanteys, forecastle ballads and seafarer traditions...

Scroll down the page to explore the history of working songs of the sea...

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Sea Chanteys...

Why "Chantey" rather than "Shanty"? The earlier spelling is "Chantey", based on the French word "Chantez". The spelling "Shanty" tends to include other later folk song genre subject matter unrelated to seafarers.

Chantey verses fall into several classes:
Those songs used for jobs where there were many short movements(like pumping), those used for jobs with long movements(like hauling the sails up), those sung when resting, those sung rowing out on deep water, and those sung pulling into port and docking.

Hauling Anchor
The first task in going to sea was hauling up (or weighing) the anchor. This was done by windlass, a large wooden cylinder on an axle with holes all around it. The sailors stuck wooden staves (called "manspikes") into the cylinder, hauled it down a turn, took the stave out and stuck it in again, hauled it down more... It was a long series of short hard pulls. If the ship had been in port for a long stay and the anchor was sunk in the silt, you had to "rock and roll" the windlass to work the anchor loose...
Chanteymen were the first "rock and roll" performers!


Later, the capstan was developed. This was a great wheel that turned horizontally, with fixed staves (or bars), and each man took a capstan bar and plodded around the capstan like a draft animal to accomplish winding up the anchor.

 

A brief history of ships:

The first large cargo ships were the early heavy packetships. Later packetships became sleeker and more graceful (they preceded the clipperships). The clippers are the ships that we think of in common renditions of the grand sailing days. There were more than cargo ships on the waters... There were also the whalers, who for a time supplied vast quantities of essential whale products to world markets, driving some species near extinction.

"Now we're bound for Old Tumbes in our manly power, where a man buys a whorehouse for a barrel of flour... We'll spend all our money on them pretty girls ashore, and when its all gone, my lads, we'll go whaling for more." -- THE COAST OF PERU

There are two main kinds of cargo carrying sailing ships... The schooners were rigged in such a way that they could be handled by fewer crew. The brigantines, large full-sailed vessels, had more and larger sails and were rigged so that each section of sail must be furled, unfurled and tacked (angled to the wind) separately. This gave the ship more power, but it also meant much more work on the part of a larger crew.


Pumping
On wooden ships (which all leak to some degree), the sailors had to pump long and often. Almost any "short-haul" chantey could be used for pumping, a job where two sailors sawed back and forth on a pumper.


Loading
On cargo ships sailors also did stevedore work. The songs for loading and unloading cargo are a lot like any short-haul songs.

Forecastle Songs
Some of the songs they sung at work they also sung to entertain themselves when off-duty and resting in the forecastle, or sometimes called "foc'sle".

Sea Chanteys featured among Candy K. Sweet and Christopher Dunne's performance...

On long, lonely sea voyages, sailors often thought of women they had met and passed time with while at port. Recollections of these women colored the passage of monotonous tasks (such as the tying of lines or raising the anchor) to the performance of a "windlass" or "capstan" chantey. Deprived of the company of women while working at sea, it was a universal sailor's experience to indulge themselves to excess on shore leave, spending their hard earned wages imprudently and consorting with ladies of bad influence and ill intentions. Amsterdam was a busy and notorious port, crowded with unsavory characters seeking to exploit young sailors on leave as they roved around town in search of fun, adventure and companionship. More than one sailor went "a-roving" with the likes of THE MAID OF AMSTERDAM...

ADMIRAL BENBOW
was a famous English warrior of the eighteenth century who lost his life in a spectacular naval battle with the French enemy. Benbow was beloved by his crew of common, largely uneducated sailors 'pressed into service of the English Navy, primarily because he attained his high rank by virtue of heroic deeds rather than by social privilege or formal education. Benbow faced impossible odds, vigorously commanding at the forefront of his final battle even after suffering amputation of his legs by a length of chain shot from a French cannon. In spite of such a horrendous mortal wound, this "foc'sle" chantey tells of how brave Benbow led his men to victory, even as his life ebbed painfully away.

The rhythm of the "short drag" chantey helped sailors pace the labor of hoisting sails and other repetitive tasks.
HAUL AWAY JOE reflects typical experiences and matters of interest to the seafaring men of the clipper ships.

THE EDDYSTONE LIGHT was a famous lighthouse off the English coast and the inspiration for this "halyard chantey" fable about the lighthouse keeper, a mermaid, a man, a porpoise and a porgy fish.

Although not specifically about the sea,
EARLY ONE MORNING is an old English folk song about the sadness of broken promises and lost love. Separation and heartache were popular themes of reflection in the forecastle while enduring the long hours, weeks and months of melancholy loneliness of life at sea.

Ballads recounting legends of famous events were popular entertainments during long voyages.
THE BALLAD OF NEW ORLEANS was a decisive guerilla fighter victory of the War of 1812, assuring continued American independence and elevating Andrew "Old Hickory" Jackson to legendary stature as heroic warrior and courageous leader of his fellow countrymen.

Life at sea under the billowing sails was fraught with perils and hardships far more dangerous than ocean travel today. When a ship foundered and succumbed to the heaving sea, there was little or no chance of rescue. When a storm reached catastrophic intensity, a brave crew could only face their grim fate with stoic resignation. Rugged sailors who "skipped at the top" remained at their posts on deck and in the rigging, valiantly struggling to keep the ship under control as it pitched and rolled in the violent high seas. The "landlubbers" huddled belowdecks, helplessly awaiting the horrific fate predicted by
THE MERMAID...

The exploits of military heroes inspire tales colorfully weaved into many simple "short drag" working chanties. The legendary career of Emperor Napoleon Bonaparte fueled many a seafaring tale of larger-than-life adventure, conquest and ultimately inevitable loss and tragic ruination. Indeed, BONEY WAS A WARRIOR...

Many men in quest of bounty from whale fishing lost their lives at sea. GREENLAND WHALE FISHERIES is a "foc'sle" chantey that follows a particularly unfortunate whaling vessel's hunt and ultimately unsuccessful encounter with its prey in the bleak and icy waters off Greenland.
Gone for years at a tour, whalers were fortunate to ever return to home port at all, driven by desperation and greed to participate in sharing the profits from the perilous and bloody business of whaling.

Originally a song about English Navy sailors' return from war, New Bedford whalers adopted this melancholy ballad as their own. Following the journey of a whaling ship's circuitous return to home, the whalers stop at an English port for weary fishing companions to enjoy sharing "a full bumper" of ale and "a full bowl" of pipe tobacco, having bid
FAREWELL AND ADIEU to the fair Spanish ladies left along the way.

Working chanteys recount many of the unpleasant experiences of life at sea, particularly regarding the punishments administered for overindulgence in alcohol consumption. A "stamp and go" chantey is also sometimes called "a runaway song" since it sets the pace for a crew to run a length of rope from one end of the deck to the other. Picture the hapless, groggy sailor being dragged through various indignities and exceedingly harsh penalties for his misbehavior, his misery punctuated by his eventual impressment to labor on another awful ship. Pity the poor
DRUNKEN SAILOR...

 

 

 

 

 

 

 

 

 

For booking information and recording availability, telephone 727-862-7238

Click on the picture at left and the link below to visit the websites of songwriter and performer

Candy K. Sweet

http://outstandingshow.com

 

All content of this website Copyright Christopher Dunne, 2005, 2007. All rights reserved.